Film Analysis

Dumb and Dumber (1994)

OW: Harry and Lloyd have insignificant jobs. Harry cleans dogs and Lloyd is a limo driver. "It's okay. I'm a limo driver!"
Call: Lloyd meets Mrs. Swanson. He falls for her. While watching her leave at the airport, he notices that she forgets her briefcase. "Goodbye my love!!!!!" (Crash).
Refusal: Lloyd brings the briefcase back to Harry. "I'd have to be some kind of lowlife to rooting around in someone else's private property." "Is it locked?" "Yeah, really well too." Harry doesn't want to go to Aspen.
Mentor: Lloyd talks Harry into it. "So I wanna go someplace where we know someone who can pluck us in to he social pipeline." Lloyd breaks down in tears. Harry consoles them. It's like they're both mentoring each other.
Threshold: "You sold my dead bird to a blind kid?" They embark on their journey in the sheepdog. Road trip! They arrive in Park City.
Tests, allies, enemies: They pick up a hitchhiker and accidentally kill him. They think he's a friend, but the audience knows he's the bad guy out to hurt them and recover the briefcase. They meet C-bass in the diner. He hocks on their burger and they stick him with the bill. "Genius, sheer genius. So what happens in the movie? They get away scot free?" "Know. About a half-mile down the road he catches up with them and slits their throats. It was a good one." (Engine roars). They drive 1/6 of the country in the wrong direction. Lloyd trades the sheepdog for a scooter, straight up. They reach Park City, frozen to each other. In Park City, they break open the briefcase and realize it's filled with tons of money.
Approach:
Ordeal:
Reward:
The Road Back:
Resurrection: "Harry. You're alive! And you're a horrible shot."
Return with Elixir:

First Draft of Essay

A Gift I'd Like to Give.

Think of WHAT- will my gift be a tangible gift or an idealistic, abstract gift?
Think of WHO- will my gift be for my father, or my unborn child, or humanity?
Then of course, think of WHY- what would make your gift unique?

Smart Desk- new invention, courtesy of student Billy Musselman
A book
A pet
Freedom
Love
World peace (beauty contest answer)

Poem 3: Love Poem

Envy is a Red Dress

It was ladies' choice and
The girl in the red dress went with
another guy

I went with Destiny.

I couldn't help but stare
at her
looking at him
looking at her
looking at him

so happy
with him

and here I am
alone.
Dancing with Destiny.
She broke my heart
without even knowing my name.

"Hi Kyle," she said.
I couldn't believe it.
I knew that she knew.
Alone with her for only a moment,
a moment
that will last forever.

I returned to my date with Destiny.
She returned
looking at him
looking at her
dancing.

And I kid you not
"Lady in Red" was the song they played.
I'd never seen anyone so beautiful
charming
from across a crowded room
then the song ended.

Crowds of kids walked to their cars
laughing
I wanted to cry

Why couldn't she
be going home with me?

I had to apologize
to Destiny.
It wasn't her fault.

But listen
see this story has a happy ending.
You know that girl?
The one in the red dress
who looked more beautiful than...

Well, we got married.

We laugh about that night
when she first spoke to me
and I fell in love.
And she swears-- that night--
the dress she was wearing
was black.

Poem 2: Life Story

"Convert"

Before you can be married to poetry
you must first
be engaged

I remember a lot of people loved her
I only had a crush

She had a boyfriend
He could be anybody
Eliot, Dylan, or Billy Effing Collins.
I was jealous of them all.

Long story short
At the risk of making the difficult seem transparent
Teaching the kids that true love grows on trees
at first sight
I'll tell you the truth:
I wanted her but she chose me.

We laugh about how we got together
One line
Let us go then,
the times are a-changin'
you and I
sailing alone around the room

She is love is God is poetry is mine.

I Remember

I remember red

I remember the writing on the wall
the writing on the grout
Graffiti never made me laugh so hard

I remember trees
no leaves
Fall seems to last forever.

I remember jammies
thin carpet
The cinderblock walls
I remember being poor
But we were so rich

I remember bed time
night nights
Twinkle twinkle one more time Daddy
a one, a two, a three

I remember the day we moved
Cy was 4. Bo was 2.
I remember their childhood
I hope they do too

Journal Entry

Why I Write (Prompt #3)

I’m not sure who said this, but I will repeat it anyway: Writing is the only thing that when I’m doing it, I don’t feel like I should be doing something else. It wasn’t always this way, however.

In high school I decided to join the newspaper staff not as a writer, but as a photographer. I completed my first assignment with enthusiasm. I was going to be the next great photographer.

Apparently I wasn’t paying attention the day they taught us how to load the film in the camera, because the pictures didn’t develop. I was fired as the photographer, but I was already enrolled in the class. So I became a writer. Like many writers, I think the vocation of writing chose me.

So why do I write? A big part of it is ego. I want to seem clever. I want to be talked about. I want to be great. However, writing isn’t the only way to feed the ego. For me, any type of creativity satisfies this craving. Besides writing, I’ve tried performing in an improv group, radio, singing, dancing, acting, directing, and stand-up comedy, just to name a few.

For some reason, though, I always come back to writing. Whether it’s playwriting, screenwriting, newspaper, magazine, internet, sports writing, poetry, lyrics, short stories, blogging, corporate newsletters, or whatever. This is how I choose to create.

It’s more than ego, though. I write to entertain. Since my early childhood, I’ve been a clown. A class clown, a work clown, and now a class clown again. I’m a high school English teacher, but I often wonder if I’m truly an educator or just a low-paid stand-up comedian with summers off.

The bigger question right now in my life is why do I write plays? Why not movies? Poetry? Novels? The answer to this question is still evolving, but here’s what I’ve got so far. Plays are fun. Plays are the conversations that take place at the kids’ table, not the adults’ table—and I hate the conversations that take place at the adults’ table. Plays have a certain spur-of-the-moment, impromptu appeal that no other medium offers. “Here, put on this coat, sit on that chair, you two are fighting over that girl. Ready, go!” I love the audience, sitting in the dark, like they’re part of the performance. I love writing dialogue.

I write for more reasons than I can fill on a page. Reasons that continue to elude me. Reasons that continue to evolve as I get older, as I experience more. I hope it always remains somewhat of a mystery. That’s half the fun.

Impulse 2

B (staring at the menu): When did eggs become so expensive?
G: You make me sick.
B: Don't start on me again. Will you get over it already?
G: Look around you, Billy. Look around you.
(Billy looks around).
B: Yeah, what?
G: It's freakin' freezing outside Billy. It's freezing!
B: Yeah, well, you should've brought a jacket.
G: You should've brought a jacket!
B: I did bring a jacket. And gloves.
G: You should've brought one for me.
B: Why on earth is it my responsibility to bring you a jacket?
G: Because I'm your girlfriend. And I thought you cared about me.
B: Look. I know you have daddy issues, and I am older than you, but-
G: Excuse me. Daddy issues?
B: Yeah.
G: How dare you bring up my father here.
B: Oh I'm sorry, are you only allowed to talk about him with your therapist?
G: You disgust me.
B: Whatever. I don't even care any more.
G: Lower your voice, will you?
B (yelling): I will not lower my voice. I will speak as loud as I want to.
G: Don't cause a scene.
B (yelling): She told me not to cause a scene. I think it's too late for that.
G: That's real mature, Billy. Real mature.
B: Yeah, well. Whatever.
G: Is that all you have to say?
B: That's all I could think of.
G: I can't do this anymore, Billy. I'm leaving.
B: Fine. Get your stuff out of my apartment. You know, it'll be nice to have my bedroom back to myself.
G: No, I wasn't saying I'm moving out, I'm just leaving the restaurant.
B: Oh.
G: Why, do you want me to move out?
B: No. Not unless you want to move out.
G: I don't want to move out.
B: Then I don't want you to move out.
G: Okay then.
(Pause).
B: Look, I'm sorry I didn't bring you a jacket, okay? Do you want to wear mine?
G: No. It doesn't match my outfit. But thank you.